En Pointe Indiana Ballet • Classical Ballet Academy • Dance Classes
Noblesville’s En Pointe Indiana Ballet welcomes dancers ages 3 to 25, beginner to pre-professional. We offer the highest level of classical ballet instruction including classes in ballet technique, pointe, variations, repertoire, pas de deux, jazz, modern, contemporary, tap and more in a positive and nurturing environment.
Our dance academy classes consist of 6 levels based on students’ age and ability. We welcome any student eager to learn classical ballet technique. A free placement class will be given to your child, and based on the evaluation, your student will be placed into his or her proper level. Each student will be evaluated twice a year and promotions will be made accordingly.
En Pointe Indiana Ballet is designed for students taking ballet as their primary activity.
Minimum ballet technique hours are required and vary depending on the level.
Dance Discovery and Pre-Ballet
Ballet Level 1 & 2
Ballet Level 2 & Up
Age 14 & Up
En Pointe Indiana Dance
All other dance class types
Schedule a Tour and a Free Trial Class
Learn more about our artistic directors
Pollyana Ribeiro and Robert Moore
Originally from Rio de Janeiro Brazil, Pollyana Ribeiro began her dance training at the age of three with Hortencia Mollo. She also studied with Tatiana Leskova at the Municipal Theatre in Rio de Janeiro. After winning three consecutive gold medals at the festival de Joenville, she was awarded a scholarship to the Harid Conservatory in Boca Raton, Florida. In July 1992, Ribeiro won the gold medal at the International competition in Helsinki, Finland. At age 16, she began her professional career with the Boston Ballet and later was promoted to principal dancer there. She was a strong fixture at the Pittsburgh Ballet Theatre School from 2005-2014. In 2014 Ribeiro joined the prestigious San Francisco Ballet School. During her time with San Francisco Ballet, Ribeiro was featured in the February 2016 issue of Dance Studio Life, where she was recognized as one of the “fresh voices that enrich the offerings at the San Francisco Ballet School.” The Brazilian Consulate has awarded Ribeiro a trophy in honor of her excellence in the arts. Ribeiro’s Repertoire includes many lead roles in works by Nureyev, MacMillan, Cranko, Balanchine, Sir Fredrick Ashton, Forsythe, Nacho Duato, Tywla Tharp, Rudy Van Dantzig, Peter Martin, Christopher Wheeldon, Jerome Robbins, Maina Gielgud, Stanton Welch, Daniel Pelzig, Paul Taylor. She has performed principal roles in such classical ballets as: La Bayadere, Giselle, Le Corsaire, Don Quixote, Swan Lake, Sleeping Beauty, The Nutcracker, Coppelia, Van Dantzig’s Romeo and Juliet, Cranko’s Taming of the Shrew and Onegin; MacMillan’s Winter Dreams; Ashton’s La Fille mal Gardee; and Welch’s Madame Butterfly. Ribeiro’s Neoclassical Repertoire includes such ballets; Balanchine’s Danses Concertantes, Capriccio for Piano and Orchestra, Who Cares?, Serenade, Divertimento No. 15, Theme and Variations, and Ballo della Regina; Tharp’s Brief Fling, Waterbaby Bagatelles, and In the Upper Room; Duato’s Without Words and Jardi Tancat; Kylian’s Falling Angels; Robbin’s Interplay; Forsythe In the Middle Somewhat Elevated; Taylor’s Company B; and Wheeldon’s The Four Seasons and Corbantic Ecstasies. Ribeiro’s reputation in the world of dance has afforded her international acclaim and recognition. She has graced the international stages of Spain, France, Japan, Korea, Buddapest, Prague, Montreal, Rio de Janeiro, Sao Paulo, and Brazilia. She has had the pleasure of working with such director’s as Bruce Marks, Anna Marie Holmes, Miko Nissenen, Terrence Orr, Dennis Marshal, Marjorie Grundvig, Helgi Tomasson and Patrick Armand.
A native of Indiana, Robert began his dance training at the age of ten with the White River Ballet School in Noblesville, IN. Moore continued his training, receiving a full scholarship to the Harid Conservatory in Boca Raton, Florida. Upon graduation in 1996, Moore started his professional career with the Boston Ballet. After nine successful years with Boston Ballet as a company member and summer intensive instructor, he joined the Pittsburgh Ballet Theatre in 2006 as a soloist where he was the first American to dance the lead role in John Neumeier’s ballet “Street Car Named Desire.” Known for his expertise in partnering, Moore was a popular faculty member with the Pittsburgh Ballet Theatre School. In 2014 he accepted a principal position with the Smuin Ballet Company in San Francisco, CA where he furthered his contemporary element in ballet. Moore’s Repertoire includes many lead roles in works by Balanchine, Cranko, Kylian, Neumeier, MacMillan, Christopher Wheeldon, Val Caniparoli, Mark Morris, Twyla Tharp, Paul Taylor, Helen Picket, and Ben Stevenson. He has performed in such classical ballets as The Nutcracker, Swan Lake, Sleeping Beauty, Les Corsair, Don Quixote, Copellia, Gisselle, Cinderella and Romeo and Juliet. In 2004 Robert, was invited to dance the lead role in John Cranko’s, Onegin, with the Teatro Municipal in Rio de Janeiro, Brazil. His Neoclassical ballet repertoire includes such ballets as Balanchine’s Theme and Variations, Serenade, and Agon; Taylor’s Company B; Tharp’s Upper Room; Whelldon’s Firebird, and Four Seasons; and Caniparoli’s Lady of the Camellias and Tutto Eccetto il Lavandino; and Kylian’s Return to a Strange Land. Moore has had the pleasure of working with such director’s as: Bruce Marks, Anna Maire Holmes, Miko Nissenen, Richard Cragun, Terrence Orr, and Celia Fushille.